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Like Elvis - whom he mentions a few times - he caught on because he's a white guy who mastered a black musical genre, and he hopes you find that fact deeply galling. "See the problem is / I speak to suburban kids / Who otherwise wouldn't know these words exist," he raps on the opening song, "White America." That's the beauty of Eminem in a couplet: He'll push your buttons, then announce that he just pushed your buttons, then explain why he'll do it again. Someone took the Maxwell House coffee maxim to heart: When something works, you stick with it. With the exception of a disastrous attempt at regular old singing, on "Hailie's Song," the surprises are few. (The chain saw is back.) Again, there are skits, with yet another starring an imperious record executive - this time Em shoots him. Dre handles the bulk of the production work, and once again he provides a lot of stripped-to-the-bone beats and plenty of sound effects. There aren't a lot of chances being taken on "Show." Once again Dr. Albums never debut on Sundays, but there there was so much online piracy surrounding these songs that Interscope, his label, figured the sooner the better. Demand for "Show" is so high that its release date was bumped up a few times - it was originally supposed to go on sale in early June, and actually hit stores yesterday. He's so reliable a moneymaker that one of the most frequently cited explanations for the record industry's slump last year was the lack of a new Eminem album. Granted, Em's outsider guise is far more of a stretch these days. It's a vacation to a warped universe where all the planets revolve around a deranged dude with a bad haircut and an almost disturbing dexterity with words. It ought to be banned from polite society.īut c'mon, who wants to live in polite society? Everyone needs a break, and "The Eminem Show" is perfect music for an intermission from all things decent and respectable.
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Just like its monster-selling predecessor, "The Marshall Mathers LP," the album is stuffed to bursting with misogyny, murder, profanity and family psychodrama right out of "The Jerry Springer Show." It's horrifying and lewd, inappropriate and juvenile.
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Because if you felt the love, maybe you'd stop making albums as great as "The Eminem Show." The year's most anticipated release is a ranting, raving torrent of words and fun-house beats that you'll hate yourself for loving. What will it take before Marshall Mathers, as he was christened, grasps the horrible truth - that we love everything about him, starting with the comic nastiness of his wicked verses and ending with his shove-it attitude and dyed blond hair? There's plenty of triumphant gloating on this hour-plus album, but every time he takes a bow the self-pitying Em pops up to moan about the burdens of fame or an alleged legion of "haters" ruining his life. We've really gone the extra mile for this guy.Īnd yet on "The Eminem Show" he's still playing the furious freak, the hair-trigger mope, the prankster and rhyme machine stuck for good in underdog mode. We deemed him outrageous and twisted, which made him huge with the suburban kids who crave whatever parents revile. We bought 25 million copies of his last two albums and a fortune's worth of tickets to his concerts. Oh, we've tried to give him the love, we really have.